De anonyma (The Anonymous) is a research project on memory and transformation that is divided into three parts: a book, a audio work, and a film. Over the past twenty years, Bengt Bok has returned several times to a former Nazi concentration camp north of Berlin.
Through experimental writing and conceptual photography, my research uses my own biography to investigate the consequences of societal transformation processes in the German Democratic Republic (GDR).
Altodi Poltodi thinks through aspects of permeability and preservation, provoking an image of shadowy protector figures. How do they interact with a landscape, what could they want to protect and where do they mark their boundary lines?
In this exposition, I expand the notions and practices of collective body-action intervention (dance, performance, happenings, etc.) as a method to strengthen embodied knowledge, an instigation to engage in restorative encounters, and an invitation to intervene and disrupt political biases
The exposition Scented Rooms aims to be a form of resistance that finds itself in poetry and politics, poetic imagery, re-thinking censored archives, existential reflections on photography and cinema, and dance.
How can microsocial rituals connected to a specific site be used as interaction templates for artistic purposes? And how can we distort such rituals artistically in order to make them memorable events?
(Re) Mapping of Being originates in a place-memory from the Second World War hidden under many layers of earth.
