Renée Turner

The Annotated Garden & Compost

The Annotated Garden & Compost weave creative non-fiction and digital dramaturgy to meditate on garden pedagogies and ecological precarity, technological acceleration, and the entanglement of environmental and machinic systems.

The Annotated Garden gathers site-rooted stories from a small urban allotment in Rotterdam, a plot threatened by encroaching property development and the climate crisis. Activated through QR codes and narrated by AI-generated avatars modelled on the author’s likeness, its annotations move between the garden and its cottage. Encounters with birds, plants, soil, and seasonal changes form narrative knots that ask how a modest plot might hold lessons far exceeding its borders. Compost operates as the project’s conceptual understory, an active method that churns through the work’s processes and theoretical underpinnings. As a body of writing, it mirrors its title and remains deliberately in process and open-ended. Together, these strands propose an attention ecology rather than an attention economy, attuned to interdependency, decay, renewal, and stewardship across so-called natural and digital worlds.

Note: The Annotated Garden is published as part of VIS #15, and the accompanying Compost is self-published.

Biography

Renée Turner is an artist and writer whose practice engages digital narratives through interdisciplinary artistic research and collaboration. Working both collectively and independently, her research is informed by feminist perspectives and explores the entanglement of sites, histories, material encounters, and embodied subjectivities.