VIS number 2 has alienation as its theme. The promotion as a method has a critical potential.

This exposition responds to the current flux of migration and the resulting condition of estrangement.
The life studio is an eccentric place and this exposition is populated by eccentric characters. The drawings and photographs contained in this research have all been created by studio puppets.
In this exposition, I confront my feelings about having been transnationally adopted. I do not consider adoption a âwin-win situationâ, and I encourage people to think critically about the practice as well as the glorification of it.
This exposition is a semi-dialogical inquiry into the potential of the methods and poetics of estrangement in documentary and political cinema, where we focus on the representation of the âneoliberal conditionâ in present-day society.