VIS #0

The pilot “VIS Issue 0” was released 9 April 2018. The issue features eight expositions created by researchers within the arts. Editor: The Editorial Committee for VIS (shared mission).

 

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Christine Petersen

1 PLACE 33 ROOMS

Architecture is a time-based art-form unfolding in different time scales; a building reveals itself by speaking to the senses as we progress through spaces, accentuated by the changing light and tactility of materials.

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STACEY SACKS

LUXURIOUS MIGRANT // PERFORMING WHITENESS

Stacey Sacks is a clown, a filmmaker, an activist, a visual artist and a researcher. Her diverse inter-disciplinary work experiments with different formats to reflect on whiteness and privilege and the performance of it.

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Adam Kraft

UNDER THE MIRRORING SURFACE

The term exposition has not a lengthy history, whether in a research context or in the visual arts. The scenic, technical and visual connotations of the term relate to explanation, exhibition, to instructive comments, to openly presenting something – to bringing it into the light.

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Anne Marthe Dyvi

THIS IS NOT / DETTE ER IKKE

This is not / Dette er ikke by Anne Marthe Dyvi is a revisit of several of her video works, and she re-examines how they establish a visual and non-verbal language through the use of colour, movement, form and time.

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Chrysa Parkinson

DOCUMENTING EXPERIENTIAL AUTHORSHIP

When we were about to invite artistic researcher for Issue 0 my thought immediately went to Chrysa Parkinson and her research project Documenting Experiential Authorship. The project is in itself moving the boundaries within the field of research in dance.

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MICHAEL DUCH, LENE GRENAGER, HILD SOFIE TAFJORD, BJØRNAR HABBESTAD

Å LAGE ET LEMURIA

The Lemur ensemble (Bjørnar Habbestad, Hild Sofie Tafjord, Michael Francis Duch and Lene Grenager) works with improvised and composed contemporary music.

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Sten Sandell

VERTIKALAKUSTIK MED HORISONTELL PROSODI

The music/texts/pictures of Sten Sandell are always situated in a boundary landscape or at a critical point. He describes how important it is to always be able to change direction, to chose a new path in music – create unforeseen expressions in the moment.

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