In contemporary music, the ethos of experimentation and newness is constantly confronted with a strong historical presence. The historical residue in the apparatus of production and dissemination can be found in the instrumentation, institutions and formats of performance. Certain periods in time, like that of post-war modernism tried to eviscerate that residue, other periods have seen a keen interest in evoking history, for a variety of reasons. Eivind Buene’s ongoing project Schubert Lounge probes notions of historicity in an explicit way, taking songs of Franz Schubert as a starting point for the investigation. The work challenges the idea of authenticity in musical performance through applying methodologies from one layer in time to materials from a different historical moment. In the project he tries to create a multi-layered experience through a process of ‘telescopic listening’, as different modes of interpretation and creation is brought into conflict in a staged work for singers, ensemble and turntable with recorded sound.
Eivind Buene is a composer and writer, living in Oslo and writing for a wide array of European ensembles and orchestras. He has an extensive discography, and has published three novels and two collections of essays. Buene is currently associate professor in composition at the Academy of Music in Oslo.
Keywords (exposition): composition, new music, History, listening, turntables, Fender Rhodes, Schubert
Visit the exposition in the database Research Catalogue.